LGBT Arts Festival Given a Date After Two Postponements

Know Theatre of Cincinnati has announced that the LGBT Arts Festival will be postponed for more than a year. The festival was scheduled to run during the last week of April and into the first week of May. These dates were chosen to coincide with the production of Tony Kushner’s Angels in America: A Gay Fantasia on National Themes.

The postponement was explained by Know Theatre’s Managing Director, Eric Vosmeier, saying, “We are dedicated to the idea and the realization of the LGBT Arts Festival. However, this Festival was conceived over 18 months ago, when the Know Theatre was in a very different position and frankly had a staff that was larger by five.”

This most recent delay comes after the festival had already been rescheduled once before. The LGBT Arts Festival was originally set to open in October of 2009. That opening was rescheduled for spring 2010 because of the State of Ohio’s delayed budgetary process.

“I’ve been looking at Know Theatre’s available resources. While financial consideration is certainly one of the concerns, for me the most important thing is the preservation of our staff as a resource. We need to ensure the success of every single production we present. At this moment, that means that we’ll have to postpone the LGBT Arts Festival to ensure that we’re able to fully realize our production of Angels in America and the 7th Annual Cincinnati Fringe Festival,” Vosmeier explained.

One part of the festival, however, will go on as scheduled because it is already in place.  Matthew Dayler (Art Academy, Visual Fringe Mural Artist) and Kenneth Wright (CS13) curated the visual art exhibit, entitled Gasoline Rainbow. That exhibit will run as scheduled through May 15, 2010 and will be on display at CS13 (1219 Sycamore St, Cinci).

Gasoline Rainbow will feature the work of prominent LGBT artists including: Jan Wandrag, Gio Black Peter, Matthew Stradling, Zachari Logan, Scooter LaForge, Scott Hug, James Huctwith, Jeremiah Degrandpre, David DeWitt, and Matthew Dayler.

Vosmeier went on to say, “I’ve been nothing but impressed with the work that Matt and Kenneth have been able to pull together for this show. They have some great connections and have curated a visual art component that I look forward to matching with performance in the first full LGBT Arts Festival.”

The LGBT Arts Festival will be postponed until October 2011. The festival will now coincide with National Coming Out Day, which will fall on October 11th. The festival was originally planned for the same day in 2009. Vosmeier added, “I want to see a Festival that truly speaks to the LGBT community. This community is large and diverse with dramatically different economic, racial, educational and political backgrounds. I want time to explore options, to collect ideas from the community and to see out performers, artists and filmmakers who speak to that diversity.”

Mark Bradford Exhibit to Open at The Wexner Center for the Arts

The work of American artist Mark Bradford will be featured in a new exhibition opening at The Wexner Center for the Arts Saturday, May 8. Bradford was the 2009-10 recipient of the Wexner Center’s Residency Award and was selected to receive one of 2009’s “genius awards” from the MacArthur Foundation.

Bradford currently lives and works in South Central Los Angeles. Bradford’s focus is on large-scale collage paintings, though also works with video, photography, sculpture, and installations, which are often site-specific. His large-scale abstract pieces often offer individual insight into the economies defined by race, gender and class, particularly in Leimert Park where Bradford lives and works.

Bradford says he can trace is artistic career back to his mother’s hair salon. It was there he picked up a love of working by hand by meticulously creating signs for the shop. Bradford recalls, “My art practice goes back to my childhood, but it’s not an art background. It’s a making background. I’ve always been a creator. My mother was a creator; my grandmother was a creator.”

Bradford’s educational background stems from his BFA (1995) and MFA (1997) from the California Institute of Fine Arts. Bradford’s earlier works show traces of his days at his mother’s salon. Works included permanent-wave end papers, hair dye, and foil reminiscent of the environment, which surrounded him.

Bradford’s large-scale works are often made of found objects that he says have “a built-in history.” Like his earlier works, these too include objects mimicking his environment, such as posters, flyers and billboard paper.

This exhibition, which was organized by the Wexner Center and Curator of Exhibitions Christopher Bedford, will feature a large selection of works created over the past decade as well as new works and other projects done as part of Bradford’s residency.

One such piece is Pinocchio is on Fire, which is an environment with sound that examines critical moments in the history of the black community from the early 80s to the present, particularly in Los Angeles. After its debut, the show will travel to the Institute of Contemporary Art in Boston, the Museum of Contemporary Art in Chicago, the Dallas Museum of Art, and the San Francisco Museum of Modern Art.

Prior to the opening, Mark Bradford and Columbus-based artist Aminah Robinson will take part in a conversation Monday, May 3, which will be moderated by Wexner Center Director Sherri Geldin. The two artists will share thoughts and perspectives on found materials, abstract and representational imagery, and the role of community connections in their work.

Admission to the conversation is free, but a seat must be reserved by RSVPing at wexarts.org/rsvp.

The Mark Bradford exhibit will open Saturday, May 8 and will run until Sunday, Aug 15. Tickets are free to Wexner Center members, college students (with ID), and those under the age of 18. Tickets are $5 for the general public.

ETC Launches New Musicals-In-Development Initiative

Encore Theater Company is pleased to announce its upcoming New Musicals Summer Season, including the launch of its New Musicals-In-Development initiative. Utilizing all three arms of the organization, ETC will assist a creative team in the development of a new musical over the course of one theatrical year. ETC is additionally pleased to announce that Drama Desk Nominees Joshua Salzman & Ryan Cunningham will kick off this new developmental program. Joshua Salzman (music) and Ryan Cunningham (book and lyrics) met at the NYU Tisch Graduate Musical Theatre Writing Program. Their thesis musical, I Love You Because, went on to be professionally produced off Broadway, earned a Drama Desk nomination for the team, spawned a cast album on PS Classics and garnered a licensing deal with Theatrical Rights Worldwide, resulting in productions both nationally and internationally including here at ETC several seasons ago. ETC will be helping the team develop their new musical Next Thing You Know in association with 321 Management, Inc., and original director John Simpkins, both based out of New York City.

“This kind of development is what new shows need – a long term commitment to walk a show from one step to the next and allow creators to make changes, additions and deletions along the way,” says ETC Artistic Director David Brush. “This gets at the very heart of ETC’s mission and we are thrilled to kick off the program with two amazing young, fresh talents like Ryan and Josh.”

Next Thing You Know will be the third production during Encore Theater Company’s upcoming series of musicals. ETC will begin the summer months with an innovative and exciting production of Jonathon Larson’s groundbreaking musical, Rent. This will serve as a unique fundraising collaboration between ETC, Downtown Dayton Partnership, C}Space, AIDS Resource Center of Ohio, BLC Entertainment and Project Runway’s Althea Harper. The production is slated for June 3-5 at C}space in downtown Dayton.

For more info: www.encoretheatercompany.com or email newmusicalsetc@gmail.com.

ProMusica Finds Its Voice

by Ashley Grimes

"At a certain point in his development, a gifted young composer becomes more than the sum of the influences he has absorbed from tradition, more than simply an amalgamator of other composers' styles, more than an imitator, more than a disciple, more than a transmitter of conventions. He becomes an adept, he speaks in a tongue that has not previously been heard, he finds his voice."

Maynard Solomon: Mozart - A Life

On February 7, ProMusica Chamber Orchestra will present a one-night-only concert featuring works that highlight the power of finding one’s voice. The stage of the historic Southern Theatre (21 E Main St, Columbus) will host the concert’s two regional premieres as ProMusica and guest baritone Christopheren Nomura bring these two tales of music to life.

The first of two regional premieres that evening is a work by composer Derek Bermel titled A Shout, A Whisper, A Trace (2009). Bermel’s piece was inspired by the composer Béla Bartók and the struggles he faced after immigrating to the United States from his home country of Hungary, as documented in letters he wrote to loved ones back home. The letters expressed feelings of exile and yearning amongst the crowds of New York City. Bermel eloquently captures these feelings of struggle in this work, commissioned by American Composers Orchestra and ProMusica Chamber Orchestra for the Serge Koussevitzky Music Foundation in the Library of Congress.

The second regional premiere of the evening, Letters from Lincoln (2009), is by returning composer Michael Daugherty. Daugherty scripts in song, accompanied by orchestra, the intimate and moving letters written by President Abraham Lincoln. The letters document Lincoln’s spirit and perseverance from his youth as a poor boy from Kentucky to his infamous assassination as President of the United States. The piece is sung by guest artist Christopheren Nomura, baritone. Nomura himself has been described by The Boston Globe as “a face to watch -- and a voice to hear.”

The two regional premieres on February 7 will be added to ProMusica Chamber Orchestra’s 60 world and 46 regional premieres, and 51 commissioned new works.

The evening opens with Mozart’s Symphony No. 29, a work marked as a turning point in his development as a composer at the young age of 18.

Tickets range from $5 to $46. To purchase tickets in advance, call 614.464.0066 or visit www.promusicacolumbus.org. Tickets can also be purchased at the door up to an hour before the concerts at its respective venues.

Also, join Christopheren Nomura with ProMusica Chamber Orchestra for Songs of a Wayfarer on February 6 at 5:30p, in the acoustical splendor of the Pontifical College Josephinum’s St. Turibius Chapel. General admission tickets are $30.

To learn more about ProMusica Chamber Orchestra visit www.promusicacolumbus.org. Ashley Grimes is Communication and Special Event Manager with ProMusica Chamber Orchestra, a member organization of the Columbus Arts Marketing Association. For more information, visit www.camaonline.org.

Short North Seasonal Gallery Open House
SEASONAL GALLERY OPEN HOUSE:
SUNDAY, DECEMBER 20, 1-4p

Join the Mahan Gallery on Sunday, December 20th between 1-4pm for a look at work in our back inventory and 10% off all jewelry, books, tshirts and prints by Matt Cipov and Justin Richel.

Visitors can expect a little something different from each gallery….art inventory will be on display, great deals on art will be offered, and seasonal treats will be served. Participating galleries will have a silver balloon on display. We look forward to seeing you.

Galleries participating:

    Mahan Gallery, 717 N High St., 614.294.3278, mahangallery.com

    The Art Exchange, 17 Brickel St., 614.464.4611, theartexchange.com

    Sherrie Gallerie, 694 N High St., 614.221.8580, sherriegallerie.com

    Terra Gallery, 8 E Poplar Ave., 614.228.4188, terra-gallery.com

    Kathryn Gallery, 642 N High St., 614.222.6801, kathryngallery.com

    Studios on High, 686 N High St., 614.461.6487, studiosonhigh.com

    Marcia Evans Gallery, 8 E Lincoln St., 614.298.8847, meartconsulting.com

    Sharon Weiss Gallery, 20 E Lincoln St., 614.464.6411, sharonweissgallery.com

    PM Gallery, 726 N High St., 614.299.0860, pmgallery.com

PRAISE THROUGH DANCE WITH LITURGICAL DANCE WORKSHOP

BalletMet Columbus and Ministry in Motion-Ohio Worship Arts Association present A Time To Dance Liturgical Dance Workshop 9am to 4:30pm January 30 at the BalletMet Dance Centre, 322 Mt. Vernon Avenue. Registration is $30 through BalletMet, 614.229.4860 or mryan@balletmet.org. The registration deadline is January 15. A Showcase follows at 7pm in the BalletMet Performance, featuring liturgical dance works by workshop participants. The showcase is free and open to the public. Donations will be accepted.

The daylong workshop will include scripture review, liturgical and contemporary dance classes, choreography exploration and more. Instructors hail from the BalletMet Dance Academy, Ministry in Motion and Stivers School of the Arts in Dayton.

“This will be our third annual liturgical dance workshop and we look forward to another successful collaboration with Ministry in Motion this year,” said Ambre Emory-Maier, BalletMet’s Director of Education.

“We are happy to partner with BalletMet to be able to provide training that can enhance our levels of ministry,” said Lorii Williams of Ministry in Motion. “The more we learn the better we will be, and when we take that and share it with our congregations it connects us all in a deeper way.”

Workshop participants should come dressed in comfortable clothing that is appropriate for movement and dance technique classes. They should bring a Bible, notebook, writing instrument, water bottle and yoga mat or large towel. Visit balletmet.org for the workshop schedule and registration information.

HITCHCOCK STEPS INTO COLUMBUS

Mix a Hitchcock masterpiece with a juicy spy novel, add a dash of Monty Python, and you have Alfred Hitchcock’s The 39 Steps, debuting in Columbus at the Palace Theatre January 19-24. In this Drama Desk Award winner and two-time Tony Award winner, a cast of four breathlessly and hilariously reenact over 150 characters from Hitchcock’s 1935 film thriller with just a few props, a lot of theatrical ingenuity, and split second quick changes.

Director Maria Aitken received a Tony nomination for her production of The 39 Steps on Broadway. In London, the show won Best Comedy at the Lawrence Olivier Awards and has played more than 1,000 performances. It has since been mounted in seven other countries, including Australia and Israel. Here’s what Aitken had to say in a recent Q&A:

What was your concept on how to put the Hitchcock film and Patrick Barlow’s script on the stage?

AITKEN: I had to justify the fact that there were only four actors playing all the parts - so I envisioned some small rep company in the 1950s in England where this leading man wants to play the heroic lead character. He can only muster a leading lady if he gives her three parts to play. And there are two old annoying vaudevillians left over from some other production at that theatre. He tells them they have to play all the rest of the roles, all 150 of them, and play them straight. But they don’t always behave like they are supposed to. This causes a lot of tension and conflict back stage and some of that spills out onto the stage. Audiences love that. 

And the point of doing the play this way?

AITKEN: The whole point about the production is that it is homage not only to the Hitchcock film but also to the theater itself. It’s done simply with smoke, four trunks, three ladders, and overworked and daring actors. Some sort of magic is made out of nothing. Audiences love to be part of this experience.  I look at the play in the English music hall tradition – music is under most of the action. Plus actors playing so many roles – changing parts and locations so fast – there’s definitely a sort of a ballet going on there that audiences find exciting to watch. 

How much of the play is from the original 1935 classic Hitchcock film?

AITKEN: We almost do the film frame by frame… [Playwright] Patrick Barlow’s dialogue is at least 60% from the film. We’ve added more jokes and more references to Hitchcock’s other movies throughout.

You continue to cast the play with unfamiliar actors. Why?

AITKEN: I think that’s one of the reasons for the play's success. Watching someone you know from TV can distract from the story. From the beginning, I realized we can’t do this with well known names. I’m thrilled with the actors who are doing the national tour.

To what do you attribute the worldwide popularity of the play?

AITKEN: This play is a completely mad, mutating baby. I think it’s because audiences are charmed by the notion of heroism, old fashion virtues, and of course, Hitchcock. 

What has given you the most satisfaction as the director of The 39 Steps?

AITKEN: Kids who are brought up with technology come to the theatre and see smoke and ladders and bodies and no expensive special effects, and they are thrilled. They feel the play for themselves –it’s not about money, it’s not about sets and costumes… it’s about imagination. 

Presented by CAPA and Broadway Across America, Alfred Hitchcock’s The 39 Steps comes to the Palace Theatre (34 W. Broad St.) January 19-24. Tickets are $57.50, $52.50, $27.50, and $22.50 at the Ohio Theatre Ticket Office (39 E. State St.), all Ticketmaster outlets, and www.ticketmaster.com. To purchase tickets by phone, please call 614.469.0939 or 800.745.3000. www.capa.com

SHADOWBOX CONTINUES COMMUNITY OUTREACH WITH PROGRAMS FOR FT HAYES AND COLUMBUS CITY SCHOOLS

Shadowbox continues to partner with local schools this fall with comprehensive internship and mentorship programs as well as a special one-hour version of it’s original musical documentary “Back to the Garden.”

FT. HAYES

Shadowbox has established a mentorship program that will give one student the opportunity to work one-on-one with Shadowbox professionals. 

Danyai Golden, a sophomore at Fort Hayes Career Center, was selected through an interview process to participate in the new program.  Not only will she be put through the rigors of Shadowbox vocal workshops and rehearsals, but will also be folded into the mix administratively.

“A unique facet to the mentorship program is the knowledge the students will gain in terms of learning to sell themselves as professionals,” said Stacie Boord, Community Relations Director.  “In today’s market having talent just isn’t enough.  You need to know how to sell yourself and your personality along with your talent.”

Danyai will showcase her talent by being included in one of Shadowbox’s afternoon matinees, The Lunchbox.

"The mentoring partnership between Shadowbox and Ft. Hayes offers students an exciting and highly relevant opportunity to learn not only about the entertainment business, but to also receive hands-on professional training and to be included as a feature performer in a professional show,” said Jeff McCargish, Vocational Music Instructor at Fort Hayes.

The date of The Lunchbox featuring Danyai Golden is yet to be determined.

Columbus City Schools

Continuing its relationship with Columbus City Schools’ Unified Arts Department, Shadowbox presented a special one-hour version of it’s original musical documentary “Back to the Garden” to students from Briggs, Centennial, Ft. Hayes, Columbus Alternative, and Whetstone high schools on Monday, November 2^nd, and to students from Marion-Franklin, AIMS, and Dominion on Monday, November 9^th. 

The students arrived by bus and, after the production, participated in a talk back session with the Shadowbox production team credited with creating the critically acclaimed show.  

Originally, Shadowbox had planned to perform the one-hour version only once, but the number of students expressing interest in the show quickly exceeded the theater’s 220-seat capacity, and the schedule was expanded to two separate performances attended by 365 students.

“This is the second abridged musical we’ve done for Columbus City Schools,” commented Boord.  “The interest has certainly grown from the first one (“A Funny Thing Happened on the Way to the Forum” which was attended by 127 students), and this time we were able to play to not only to high schools but to middle schools as well.” 

The program, aligned with the school district’s drama curriculum, is designed to supplement the students’ arts education, specifically performance and technical skills.

DUBLIN BICENTENNIAL PUBLIC ARTWORK COMMUNITY FEEDBACK SOLICITED THROUGH DEC. 18

Artist proposals to be presented in January – February 2010

Dublin Arts Council (DAC) and the City of Dublin are seeking feedback from members of the community to help the artist finalists better understand residents’ perspective about the Karrer Barn property, 225 S. High St., in Historic Dublin. The property is the chosen location for the installation of an original, permanent, site-specific public artwork being commissioned by DAC in recognition of the City of Dublin’s 2010 Bicentennial.

Three finalists for the $150,000 commission were chosen from a national pool of applicants last month by a selection committee which includes a Dublin community representative, a representative of the Dublin Historical Society, a DAC board member, a public artist and a public art expert. More information about the finalists and the selection committee can be found at www.dublinarts.org.

There are several ways that members of the community can offer feedback: 

• From 2 to 7 p.m. Tuesday, Dec. 15, recollections, memories, and stories will be videotaped at the Dublin Chamber of Commerce Building, 129 S. High St. DAC and the City ask that statements be limited to 5 minutes. While an RSVP is not required to participate, a time may be reserved by e-mailing dball@dublin.oh.us.

• Written feedback can be provided via online posting at www.dublinarts.org from Dec. 4 through Dec. 18. 

Taped and written comments will be provided to the artists and selection committee. The comments will be considered public record.

Once community input has been gathered, the presentation of the artists’ detailed proposals will be re-scheduled. The original Dec. 15 date has been postponed, and DAC expects that final presentations will take place between mid-January and mid-February 2010.

The Dublin Art in Public Places program is administered by Dublin Arts Council and is funded, in part, through an endowment of Bed Tax funds from the City of Dublin.

For more information about any of Dublin Arts Council’s programs, exhibitions and events, call 614.889.7444 or visit www.dublinarts.org. Dublin Arts Council (DAC), is located at 7125 Riverside Dr. in Dublin, Ohio. Hours are Tues., 10a-7p; Wed./Thurs./Fri., 10a–5p; and Sat., 11a-2p. DAC is supported in part by the City of Dublin’s Hotel/Motel tax endowment and the Ohio Arts Council, which helps fund Dublin Arts Council and its programs with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. DAC engages the community, cultivates creativity and fosters life-long learning through the arts.

Community Sing-Along Kicks Off Full Weekend of Holiday Offerings from ProMusica

ProMusica ProMusica Chamber Orchestra is opening the doors of the Southern Theatre, 21 East Main Street in Columbus, for one night of community caroling for its annual Messiah (And More!) Sing Along.

The event on Friday, Dec. 11 at 7:30p welcomes local community and high school choirs as well as individuals to sing along to chorus parts of Handel’s Messiah and holiday favorites such as Angels We Have Heard on High, Away in a Manger, O Come, All Ye Faithful and Joy to the World.  Tickets are $20 general admission, and the doors open at 6:30p Attendees can bring their own scores or purchase one at the concert.

The Southern Theatre will be filled with the collective voices of individuals and more than 200 pre-registered choir participants, including the Columbus Gay Men’s Chorus. ProMusica is pleased to welcome back its friends from this group, registered participants include Artistic Director David Monseur, Pat Anderson, Mark Beach, Mike Bierschenk, Stephan Blodgett, John Brunner, John Callihan, Daniel Christian, Jerry Comer, Mark Cook, Neal Coryell, Matthew Dyer, Clay Evans, Paul Fannin, Chris Ferguson, Jason Guthrie, Ryan Jones, Rob Leutz, John Luidhart, Warren MacPherson, Bryen Mannly, Rob McClean, Michael Miles, Max Moore, Dwayne Price, Scott Ramsey, Phil Riedinger, Richard Roby, Shane Sprankel, Terry Tallbott, ValChristopher Teckavac, Rick Urban, Rick Wheeler and Jarod Wilson.

ProMusica has had a longstanding artistic friendship/partnership with the Columbus Gay Men’s Group, and most recently collaborated during ProMusica’s 29^th Season for a concert titled Strings Attached which featured both groups individually and on several pieces together.

The Messiah (And More!) Sing Along serves as both a performance as well as a part of ProMusica’s education and outreach programming. In addition to the community choirs, ProMusica presents Columbus-area high school student musicians the opportunity to play side-by-side with its professional musicians. On December 11, there will be more than 50 students from 17 different high schools onstage at the Southern Theatre. ProMusica welcomes guest conductors from local high school orchestras to lead this joyous occasion from the podium.

“The Messiah Sing Along is a wonderful event that gives ProMusica the opportunity to collaborate with many artistic individuals, groups, and facets in our Columbus community,” comments Executive Director Janet Chen. “It’s a time where church and community choirs, student musicians, and great organizations such as the CGMC can come together and celebrate the holiday season in song. It is a lot of fun because it not only is a relaxed atmosphere, but because music is a universal language, everyone in the Theatre plays an important part of the evening!”

The Sing Along is the just the beginning of a weekend of musical holiday celebrations.  ProMusica spreads holiday cheer around town with two performances of A Baroque Holiday featuring Bach’s Brandenburg Concerto No. 3, Pachelbel’s Canon in D, Corelli’s Christmas Concerto and more. 

On Saturday, Dec. 12 at 5:30p, join ProMusica for the acoustical splendor of the Pontifical College Josephinum’s St. Turibius Chapel. General admission tickets are $30. On Sunday, Dec. 13 at 7:30p, ProMusica returns to the Southern Theatre to wrap-up the weekend’s festivities with a repeat performance of A Baroque Holiday. Tickets range from $5 to $46.

To purchase tickets in advance, call 614.464.0066 or visit www.promusicacolumbus.org. Tickets can also be purchased at the door up to an hour before the concerts at their respective venues.

To learn more about ProMusica Chamber Orchestra visit www.promusicacolumbus.org.

Chihuly Dazzles at the Columbus Museum of Art

by Melissa Ferguson

photo by Terry Rishel

This autumn, the Columbus Museum of Art is alight with the dazzling works of artist Dale Chihuly as Chihuly Illuminated opened September 25. The show features works never before seen in Columbus. From the Mille Fiori, a 56-foot garden of glass, to Glass Forest #3, a white milk-glass and neon installation, Chihuly Illuminated offers a feast of bold color, dramatic forms, and extraordinary composition.

CMA first presented Chihuly’s work to Columbus in 1998 with Chihuly Over Venice, a selection of works from his international project, which involved working in glass factories in Finland, Ireland, and Mexico, with the resultant sculptures installed over the canals and piazzas of Venice.

Chihuly Illuminated is part of Chihuly in Columbus, a citywide celebration of the art of Dale Chihuly anchored by exhibitions at Franklin Park Conservatory and CMA. For the first time ever in a major city, Chihuly works will be on view at both a conservatory and a museum. 

Born in 1941 in Tacoma, Washington, Dale Chihuly was introduced to glass while studying at the University of Washington. In 1968, Chihuly was awarded a Fulbright Fellowship to work at the Venini factory in Venice, Italy. While in Venice, Chihuly observed the team approach to blowing glass, which is critical to the way he works today. In 1971, Chihuly cofounded Pilchuck Glass School in Washington. With this international glass center, Chihuly has led the avant-garde in the development of glass as a fine art. Recent projects include a 2001 exhibition at the Victoria and Albert Museum in London and an ambitious exhibition at the de Young Museum in San Francisco in June 2008. His work is included in over two hundred museum collections worldwide.

The Columbus Museum of Art creates great experiences with great art for everyone. The Museum and the Museum Shop are open Tuesday through Sunday from 10a- 5:30p and until 8:30p every Thursday. The Palette Express is open for lunch Tuesday through Sunday from 11:30a- 1:30p. Museum admission is $10 for adults, $8 for seniors and students 18 and above with valid ID, $5 for students 6-17, and free for members and children 5 and younger. For additional information, call 614.221.4848 or visit www.columbusmuseum.org. Melissa Ferguson is with CMA, a member organization of the Columbus Arts Marketing Association. For more information, visit www.camaonline.org.

CATCO Opens 26^th Season With Black Comedy, Murderers, Sep 30-Oct 18

by Sarah Mills Bacha

Gerald Halverson is a dapper dude in his late ’30s.  Lucy Stickler is a charming 75-year-old housewife. Minka Lupino is a soft-spoken woman in her ‘40s, who loves to read novels. All three live or work in the Riddle Key Luxury Senior Retirement Living Center and Golf Course in Florida. And all are characters in CATCO’s 26^th season opener, Murderers.

On the outside, Gerald, Lucy, and Minka look like everyday people, but get inside their heads and you’ll discover they have one dark secret in common – they’re murderers. In this black comedy by Ohio native Jeffrey Hatcher, these three unlikely killers can justify their crimes in the most outrageously funny ways.

“Homicide has never been so hilarious,” exclaimed Jonathan Putnam, CATCO associate artistic director, who will direct Murderers. The central Ohio premiere, written by one of theatre’s most prolific playwrights and an Ohio native, will be performed at the Verne Riffe Center’s Studio Two Theatre, Sep 30-Oct 18.

“Murderers is a delight – a very funny comedy with some biting satire and terrific storytelling,” says Talkinbroadway.com. “Hatcher’s keen observations are accompanied by a wonderful sense of the ridiculous. He supplies wry commentary on old people, their families, and underlying venality, accompanied by a string of golf carts, cul de sacs, and villas,” says curtainup.com.

“Hatcher is one of the wittiest playwrights in the business, so consequently his characters are very witty. But he’s from Steubenville, so they also are extremely down to earth,” Director Putnam said.  He promises, “Each mystery will keep the audience guessing until the last moment.”

Murderers is the fourth play written by Hatcher and produced by CATCO. The theatre performed Three Viewings and Scotland Road during the 1996-97 season and The Turn of the Screw during the 1997-98 season.

Cast members are Jill Taylor, of Westerville, who will perform the role of Minka. CATCO favorite Kerry Shanklin, who most recently appeared in CATCO’s production of Sarah Ruhl’s The Clean House last season, will perform the role of Lucy, and Cedarville, Ohio, resident Matthew Moore, will take the stage as Gerald. Taylor and Moore are making their CATCO debuts.

There are two previews for Murderers, Wednesday, Sep 30, at 11a and Thursday, Oct 1, at 7:30p. Tickets are $11.50 for the 11a matinee and $32.50 for the Oct 1 performance. Tickets for two other $11@11 matinee performances Oct 7 and Oct 14 are $11.50 ($11 plus a 50-cent restoration fee). All remaining tickets for regularly scheduled performances are $40. Visit www.catco.org for more show details.

All tickets can be purchased at the box office at 41 E State St., next to the Ohio Theatre, by calling 614.469.0939 or by calling or visiting any central Ohio Ticketmaster location. Sarah Mills Bacha is with CATCO a member organization of the Columbus Arts Marketing Association. For more information, visit www.camaonline.org.

The Next Generation of Theater

an interview with Paul Lockwood, founder of ETC

by Chris Hayes

Cbus (yes somehow I’ve grown to love the term) is exploding with the arts. It’s not often you have a 2^nd tier city with such a rich diversity of arts to enjoy. That is owed a lot of credit to the vast group of independent artists pushing for something new - for creation to reign. One such group of doers is Evolution Theater Company. They’re producing stuff you won’t find anywhere else and also creating shows of their own. I talked with ETC’s Artistic Director Paul Lockwood to find out more about this cutting edge theatre co., the business of theater and the implications of being labeled gay.

Chris Hayes: When and how did Evolution Theater Company start?

PL: Paul Lockwood: In late 2007, I found myself wanting to direct the kind of plays I like – daring, thought provoking – and I had no contacts here. I had already founded two theatre companies (one in NYC and one in Pittsburgh) so I thought, "why not start another one?" In January 2008, I solo-produced and directed Adam Rapp’s Stone Cold Dead Serious. Through that show I began to meet similar-minded folks.

CH: What artistic/professional backgrounds make up the company?

PL: I began doing theatre in Chicago in 1978 then moved to New York in 1981 and continued to perform Off- and Off-Off Broadway in all kinds of crazy stuff. ETC Executive Director Mark Phillips Schwamberger has been acting and directing just as long in New York, Florida, Kentucky and Ohio. Drew Eberly has been acting and directing for nearly 15 years, including a long stint at Philadelphia’s acclaimed Walnut Theatre. Vera Ryan Cremeans, a Columbus native, is the youngest of our current core, and she has an extensive musical theatre background.

CH: Where did you get the name ETC?

PL: I think of theatre (and all the arts, really) as an evolutionary process. Since ‘Theatre Company’ was a given part of whatever name I chose, and I love acronyms (because they are easy to remember), ETC it was. Plus I love the idea of ‘etcetera’ – it’s one of those boundless words.

CH: What has been your most well received production?

PL: To date, I’d say The Little Dog Laughed. It’s a very funny play with very crisp writing by Douglas Carter Beane. The cast was superb, including Krista Stauffer, who was named ‘Best Actress of 2008’ by the Central Ohio Critics Association, for her portrayal of the lesbian Hollywood agent.

CH: What does it take to start a theater company?

PL: Creative vision, substandard financial expectations, and absolutely no fear at all!

CH: On average how much money does it take to produce a show?

PL: Our productions have run $3,000 – $8,000, depending on the number of actors, licensing costs and length of the run.

CH: Are the actors paid or is it all for the love of the art?

PL: We pay everyone –cast and crew. We strongly believe they deserve to be compensated for their time and talent. It’s also what categorizes us as “semi-professional.”

CH: Where does your talent pool come from? Is it all local? Do you keep the same cast for each production?

PL: Our talent pool is local – which is a testament to all of the creative people who live in Columbus. We like to feature as many artists as possible in a season rather than use the same few. Spread the wealth!

CH: Are all your productions performed at the same venue?

PL: Our first season was at MadLab; the second year we were at Columbus Performing Arts Center and this coming season we will be using two CAPA venues: Studio 1 at the Riffe Center for out first show and then a brand new space to be announced by CAPA soon.

CH: Does ETC do all original content? Who creates it?

PL: We do all ‘premiere’ productions – contemporary plays that have never been seen in Columbus, or Ohio, or in the case of last season’s original production of “I’ll Take Romance,” the world. The plays we present can be the work of new playwrights or well-established ones.

CH: How many show do you produce in a season?

PL: This season we are presenting six (or possibly seven) shows.

CH: It seems a universal questions to artists that are gay or geared toward the queer community is if they consider themselves a gay artist or and artist that happens to be gay. Where does ETC fit in the spectrum? What is the political/business implications of taking a stand either way?

PL: Many of us involved in the company are gay and active in the Columbus gay community. I can only speak for myself – being gay influences all of my own work and the work I am drawn to. Many plays we have produced have had gay themes and/or gay characters. Our goal is to make “gay” a non-issue. Theatre explores the human condition – and ‘gay’ is just one aspect of it. That said - if we are considered one of the gayest troupes in town, we are proud to oblige. It really does not affect us politically or economically because: 1. Theatre audiences tend to be open to everything in the human spectrum and 2. Our audiences are often asked, considering the work we choose, to sit back AND think. Theatre can be a strong conduit for change.

CH: What demographics typically make up your audiences?

PL: We have a huge gay and lesbian following, as well as younger creative types. What we really love is that we have a tremendous senior following. They are historically great supporters of live theatre and much more progressive and open than some may think.

CH: Are your shows for any ages or are they 21 and over only?

PL: Many of our plays include strong language, adult situations and sometimes nudity (not gratuitous, but rather situational nudity.) We leave it up to the parent or guardian to decide what they feel is appropriate.

CH: How has ETC evolved over the years? Did we hear you have a new partnership with CAPA?

PL: Yes. We will now be affiliated with CAPA in some respects. We are performing in their venues and will hopefully work more closely with them in the future. They have been tremendously supportive and we really value their faith in us as a company.

CH: Besides attending a show, how can people support ETC?

PL: We offer both individual and business sponsorships. We are also very happy to be included in wills. We are also having a benefit Friday, September 25, at8p. The rollicking event will take on a 1920's speakeasy theme with period jazz music, wonderfully kitchsy drinks, food, flappers, mobsters, and fun! This one-night-only fundraiser party will be held at Gresso's in German Village, and is a cocktail attire or 1920s costumed event. Come and hear all about our 2009-2010 season, and what is new with Evolution! It's big and exciting news! The ticket price ($25) includes a cabaret-style music show, appetizers, 1 free drink, and lots of fun 20's flapper style! To purchase tickets, please send an email to Vera Cremeans at cremeans.28@osu.edu or call 614.302.0096.

CH: What's this next season look like for ETC?

PL: It will be our most exciting – and challenging - season yet. We open in September with The Agony and The Agony, a hilarious comedy by Nicky Silver. In January we will present RAPPture, the first-ever festival of plays by Adam Rapp. The lineup includes Red Light Winter, American Sligo and Nocturne. His work can run the gamut of tragic to comic all in the same scene. In April we present “The Goat, or Who is Sylvia” by the great Edward Albee. That show is sure to stir people up, and in June we present our annual gay production. This year it's the charming musical Boy Meets Boy.

CH: What do think is missing from Columbus arts scene?

PL: We need more cutting edge work, and more professional companies. We only have one or two right now, which is odd for a city of this size.

CH: What part of that does ETC productions cover or fill?

PL: We’d like to see Columbus become a city known for forging new theatre, like Chicago, Minneapolis or Seattle.

For more info on ETC visit: http://evolutiontheatre.org.

Thurber House Celebrates And Concludes Its 25th Anniversary With A Fall Line-Up Of Great Author Events, Including Rita Mae Brown's Memoir, Animal Magnetism: My Life With Creatures Great And Small

by Patty Donahey Geiger

Rita Mae Brown, author of Rubyfruit Jungle, the bestseller about growing up lesbian in America, comes to the Columbus Performing Arts Center on Wednesday, October 28, at 7:30p, as a guest for the fall 2009 Thurber House Evenings with Authors series. She is a New York Times bestselling author of numerous mystery novels, including the Sister Jane Foxhunting series and the Sneaky Pie Brown mysteries.

In addition to Brown’s novels, she has written two memoirs. The first, Rita Will, incorporates the story of her 1960’s activism in the Gay Liberation Movement and her participation in the Stonewall Riots. For her Evenings with Authors appearance, she will read from her latest work and second memoir, Animal Magnetism: My Life with Creatures Great and Small. It begins with Brown’s earliest memory, the soothing purr of Mickey, the family’s tiger cat who had curled up with her, claiming a spot in the crib.

Growing up in an animal-loving family, she was surrounded by many furry and feathery friends. Readily admitting that she prefers the company of animals to people, Brown shares the lessons she’s learned from her animal friends as they have loved, endured and taught her, and how, in return, she has given them bottomless love.

Brown’s affection for the animal world includes horses - riding and owning them. A former polo player, she now lives in Afton, Va., where she is the proud owner of hunters and hounds. As master of the Oak Ridge Foxhunt Club, she “carries the horn,” which means she is a huntsman, and in case anyone wonders how an animal lover could be a foxhunter, Brown answers, “We don’t kill foxes, so don’t get your knickers in a twist!”

Fall 2009 Evenings with Authors:

Sue Miller

The Senator’s Wife

Wednesday, September 14; 7:30p

Columbus Museum of Art, 480 E Broad St

This New York Times bestselling author will read from her latest novel, a portrait of two imperfect marriages and two women who unexpectedly change each other’s lives.

Kaylie Jones

Lies My Mother Never Told Me

Thursday, September 24, 7:30p

Columbus Performing Arts Center - Shedd Theatre

549 Franklin Ave.

This memoir tells the story of growing up in the shadow of her famous father, author James Jones (From Here to Eternity) with an alcoholic mother and of her own struggles with addiction.

Julia Glass

I See You Everywhere

Thursday, October 15, 7:30p

Columbus School for Girls

56 S. Columbia Ave.

Glass, a National Book Award winner and author of three novels, has been compared to Jane Austen and the Brontë sisters. Her newest book portrays the relationship between two sisters, one brainy and cautious, the other, wild and adventurous.

Rita Mae Brown

Animal Magnetism: My Life with Creatures Great and Small

Wednesday, October 28: 7:30p

Columbus Performing Arts Center - Shedd Theatre

549 Franklin Ave.

This bestselling author of numerous mystery novels has written her second memoir that shares the lessons she has learned from them, as well as he deep appreciation for her two- and four-legged friends.

Bruce Feiler

America’s Prophet: Moses and the American Story

Monday, November 16: 7:30p

Columbus Performing Arts Center - SheddTheatre

549 Franklin Ave.

New York Times bestselling author of Walking the Bible and host of the PBS series of the same name, Feiler posits that whenever the United States experienced hard times, it turned to the Exodus story, and he exemplifies how Moses was an inspiration beginning with the Pilgrims.

Evenings with Authors begins at 7:30p. The featured guest reads from his or her most recent work, chats about writing, and then there is a question-and-answer session with the audience. Each event closes with a coffee and cookies reception and an opportunity to buy the author’s book(s) and get them signed. Tickets are $18 in advance, $20 at the door. Discounts for students and seniors. For more information or to purchase tickets, call 614.464.1032 or visit www.thurberhouse.org.

Patty Donahey Geiger is Communications for Thurber House a member organization of the Columbus Arts Marketing Association. CAMA’s mission is to promote awareness of and participation in the arts and cultural opportunities in Greater Columbus through collaborative marketing and public relations projects, and to provide professional development opportunities for members. For information visit www.camaonline.org.

No Judges, No Hotlines…Balletmet Thinks You Can Dance

by Jennifer Sciantarelli

If reality television has taught us anything, it’s that dance is a great way to burn calories and have fun. So You Think You Can Dance, Dancing With the Stars and the smorgasbord of shows in-between have brought ballroom, ballet and even Bollywood to our living rooms, leading to America’s love affair with dance.

You don’t have to dance with a star, a stranger or your dad to enjoy the benefits of dance. Channel your inner dance diva with like-minded individuals at the BalletMet Dance Academy. BalletMet’s fall classes begin August 31. While BalletMet offers classes for children and teens, the Academy offers an array of classes for us mature folks, too. For adults who love to move, but could use a little direction, it’s never too late to return to the classroom.

Why take a dance class? There’s so many good reasons, but just to name a few:

Learn something new: Need an expanded vocabulary of moves for the nightclub? Or, maybe you’ve joined softball teams and bowling leagues and are ready to challenge your body with new activities. Or, like some students, assist your budding musical theatre career by becoming a triple threat.

Get healthy and fit: Dance is good for your health. It’s a great workout, improving stamina, flexibility and strength. Just ask the septuagenarians who continue to take classes regularly, from ballet to Dance! Move! Stretch! an exercise class including basic dance movement.

Meet friends: Socializing can be half the fun. Meet people who share a passion for dance. Many of BalletMet’s adult students have formed close friendships with their classmates. Take for example, a class of students that dubbed themselves “Traci’s Tuesday Tappers” and donned matching team tees.

Whether you’re a beginner or a retired pro looking for a challenge, there’s a class for you. Classes for all levels are taught in a nurturing environment by professional, qualified faculty. Variety is the name of the game at BalletMet. Disciplines available to you include ballet, tap, jazz, modern, hip hop, Pilates, ballroom and more.

Classes run in the evenings and weekends at both the downtown Dance Centre and BalletMet’s satellite facility in Gahanna. Classes for seniors 55 and up are available during weekdays. Adult students can pay per class or purchase a multi-class card, so forget your fear of commitment. Plus, discounts are available for BalletMet season subscribers and college students.

Visit BalletMet.org for the schedule of classes. Register online or call BalletMet at 614.224.1672.

Impress your friends. Make new friends. Live out your childhood fantasies. Take dance classes and discover your hidden talent…maybe your hidden six pack, too.

Jennifer Sciantarelli is Communicationsfor BalletMet Columbus, a member organization of the Columbus Arts Marketing Association. CAMA’s mission is to promote awareness of and participation in the arts and cultural opportunities in Greater Columbus through collaborative marketing and public relations projects, and to provide professional development opportunities for members. For information visit www.camaonline.org.

Show your Ohio Pride at the North Market Food & Ohio Wine Festival

by Mary Martineau

While there won’t be a fabulous parade with vibrant floats or flamboyant drag queens, you can show your pride in the state of Ohio’s wines by attending the North Market Food & Ohio Wine Festival Presented by National City over the weekend of July 10-12.

Ohio wines have come a long way, baby, from the syrupy sweet Catawbas of the past (although we’ve still got some splendid sweet wines in the line-up). Our “new” crop of whites includes distinguished vintages with European lineages including Chardonnay, Riesling, Gewurztraminer, Pinot Grigio and award-claiming Ice wines. Our reds include the familiar Cabernet Sauvignon and Pinot Noir as well as the more obscure Chambourcin and Cabernet Franc. All Ohio wines differentiate themselves from those of other locales based on the unique characteristics of the terroir in which the grapes were grown.

What better way to get a feel for the effects of Ohio’s terroir on our state’s wine than by tasting it yourself? Over the weekend we’ll have eighteen Ohio wineries set up on Spruce Street serving samples of their Ohio vintages by the taste and by the glass. If you find one (or more) that tickles your fancy you can buy bottles (or a case), often right from the winemakers themselves. Throughout the weekend the following wineries from around Ohio will offer select wines: Chalet Debonne Vineyard, Madison; Ferrante Winery, Geneva; Firelands Winery, Sandusky; Henke Winery, Cincinnati; Laurello Vineyards, Geneva; Maize Valley Winery, Hartville; Markko Vineyard, Conneaut; Meranda-Nixon Winery, Ripley; Mon Ami Winery, Port Clinton; Ravens Glenn Winery, West Lafayette; Slate Run Vineyard, Canal Winchester; St. Joseph Vineyards, Thompson; Stoney Ridge Winery, Bryan; Troutman Vineyards, Wooster; The Winery at Wolf Creek, Norton; Valley Vineyards, Morrow; Viking Vineyard, Kent and Wyandotte Winery, Columbus.

The festival will kick-off on Friday night with a special preview party from 7-10 p.m. Tickets to the event are $20 and include a customized wine glass, 10 tasting tickets and a $5 North Market gift certificate (in case you get the munchies). Columbus celebrities will serve as guest pourers for the wineries. The Inner City Blues Band will be on hand to get the party jumping and your booty shaking in the street. Discount coupons good for $5 off Preview Party admission are available at local National City Bank branches.

Throughout the weekend there will be two stages of live music, culinary demonstrations, food vendors, our traditional Saturday farmers’ market and a Sunday market featuring Ohio Proud vendors and local artisans. There will be two fun additions to the festivities this year. Ford Motor Company will be offering test drives of their newly designed Ford Fiesta, due at dealerships next year. Meanwhile, cooking demonstrations will take place in the newly minted Ohio Proud mobile kitchen. The kitchen consists of a 24-foot trailer that has the look and feel of a home kitchen with three large screen monitors to display the demonstrations to the audience. Robin Davis, Food Editor of the Columbus Dispatch will be giving special recipe demonstrations in the Ohio Proud Kitchen at the Friday Night preview party pairing Ohio wines with her culinary creations, all of which you can sample!

Show your pride in our fair state and its growing number of wineries and winemakers by attending the North Market Food & Ohio Wine Festival Presented by National City. Festival hours are Friday, July 10, 7p-10p, Saturday, July 11, 10a – 7p and Sunday, July 12, 1p– 6p. Preview Party admission is $20 with $5 discount coupons available at local National City Bank branches. Saturday and Sunday admission is free. A $5 tasting fee includes a souvenir glass with tasting tickets available for purchase in any quantity for $.50 apiece. For additional information on the North Market Food and Ohio Wine Festival, please call 614-463-9664 or visit www.northmarket.com.

Mary Martineau is Director of Marketing for North Market, a member organization of the Columbus Arts Marketing Association. CAMA’s mission is to promote awareness of and participation in the arts and cultural opportunities in Greater Columbus through collaborative marketing and public relations projects, and to provide professional development opportunities for members. For information visit http://www.camaonline.org.

Columbus’s Most Scenic Public Park (Or Where to Have a Romantic Sunday Afternoon with George or Thom or Sean or…)

One of Columbus’s most romantic and interesting sites is a unique urban sanctuary. The Topiary Park is a one-of-a-kind interpretation of Georges Seurat’s famous Post-Impressionist painting A Sunday Afternoon on the Isle of La Grand Jatte in three-dimensional green.

The only topiary garden in existence based on a work of art, this landscape-of-a-painting-of-a-landscape features 80 clipped yew trees trained into ornamental shapes of 54 people, eight boats, three dogs, a monkey, and a cat, and a pond reminiscent of Paris’s River Seine. Visitors will notice that the topiary is done in exaggerated perspective to create depth. The figures in the front are 12 feet tall - much larger than the figures at the far end of the pond.

Visitors of all ages can literally enter the scene and become both physically and imaginatively engaged with the artwork and its environment. This seven-acre downtown sanctuary is accented with meticulously planted perennials, annuals, hanging baskets, and water lilies. The Topiary Park invites connections of ideas about art, ecology, landscape design, and urban green spaces.

James T. Mason - the sculptor who conceptualized the topiary park - designed, created, and installed the bronze frames and yew trees. The park opened to the public in 1992 on the former site of the Ohio School for the Deaf.

Seurat’s pioneering pointillist (using tiny dots of color to create light) painting A Sunday Afternoon on the Isle of La Grande Jatte was completed in 1887 and is considered to be one of the most important paintings in Western art history. The large painting - seven by ten feet - now hangs in the Art Institute of Chicago. As Mason’s creation is both work of art and a work of nature, The Topiary Park is a grand homage to Seurat’s masterpiece.

Located at Town and Washington streets in downtown’s “Discovery District,” The Topiary Park is open daily from sunrise to sunset. Admission is free. Dogs, cameras, and picnics are welcome. Self-guided tour information, a “tree walk” and bottled water are available in the visitors’ center, which is located at the gatehouse on Town Street.

Friends of the Topiary Park was founded in 1991 to support park improvements and to provide tours and educational resources for thousands of visitors each year. The park is a project of the Columbus Recreation and Parks Department.

Volunteers are always needed to help in the garden. Phone 614.645.0197 or visit www.TopiaryPark.org for more information.

Jennifer McNally is Executive Director of Friends of the Topiary Park, a member organization of the Columbus Arts Marketing Association. For more information, visit www.CAMAonline.org.

10 Reasons to visit The Topiary Park:

1. It is a tres romantic place for a date or picnic. (The park was featured on the cover of Kissing in Columbus: Romantic Things to See and Do In and Around Ohio's Capital by Amber Stephens.)

2. It is unique.

3. It is an ideal place to take out-of-town visitors of all ages - everyone is always impressed.

4. Great people watching (could include art students painting and drawing; downtown residents and workers walking their dogs, playing Frisbee, and stretching their legs after lunch; volunteers weeding and working in the gardens; tourists from around the world; colorful downtown characters).

5. Interesting architecture surrounds the park (Old Deaf School, Columbus Metropolitan Library, grand 19^th-Century homes).

6. Free jazz concerts (geared toward kids and families, but all are welcome) on the third Saturday of June, July, August, and September from noon to 1p.

7. It is beautiful every day of the year.

8. Since the topiaries continually grow and change according to the season, the time of day, and the amount of rainfall, the park is different each time you visit.

9. It is conveniently located downtown and on-street parking is always available.

10. It is free!

Ohio Arts Council’s Riffe Presents New Narratives Through July 12

by Edwin George

First I want to say “S gee” which means “thanks” in Cherokee for being included in the Riffe Gallery exhibition, New Narratives. Being a full blood Eastern Band Cherokee and being able to tell my stories through art fulfills a life long dream of sharing my native culture with others.

The painting and story “Gratitude” have been popular with the many schools and nature centers I have visited in my part of Northeast, Ohio. The opportunity to be one of the 12 artists featured in New Narratives at the Riffe Gallery in Columbus has helped me reach a wider audience as I try to tell a story of how important it is to be grateful for all that is given us, without judgment.

I am grateful to Sequoya for inventing the first native Cherokee written language back in 1818 and so I include the syllabary, a phonetic writing system consisting of symbols representing syllables, in all my paintings. Though I still speak my native language, I never had the opportunity to learn how to write it in school because everything was taught in English. I am grateful to all the plants that have provided food, medicine, housing and transportation, so I painted these in Gratitude as a way of honoring them. I am grateful to the oriole that showed up on my porch, just as I finished Gratitude, so I painted him in the picture. I started this painting about the witch and the rabbit with a home school art class while the students painted their own “Gratitude” pictures to be exhibited at the North Water Street Gallery in Kent, Ohio.

It is my hope that many school groups visit the Riffe Gallery on their field trips to the Statehouse in Columbus or as a summer visit with families so that they have a chance to visit my Cherokee culture through my art and story.

Se Yo (“Hello”) Edwin George

New Narratives: Paintings by Ohio Artists is on view until July 12, 2009. Curated by Dominique H. Vasseur, Columbus Museum of Art, this exhibition explores the various thems and styles of narrative painting by 12 Ohio contemporary artists ranging from traditional figurative compositions to others using signs and symbols.

The Ohio Arts Council’s Riffe Gallery showcases the work of Ohio’s artists and curators, exhibitions produced by the Ohio Arts Council’s International program and the collections of the region’s museums and galleries. The Riffe Gallery’s Education Program seeks to increase public appreciation and understanding of those exhibitions. Admission is free. For more information call the Riffe Gallery at 614.644.9624 or visit the Riffe Gallery Web site at www.riffegallery.org.

BLACKBIRD

by Sarah Mills Bacha / photo by Dave Alkire

Fifteen years ago Una and Ray had a relationship – an illegal relationship. They haven’t set eyes on each other since. Now, after great effort, she has found him again. Without warning, Una arrives late one day at Ray’s workplace. But why? What does she want? And is this man the Ray she remembers?

Blackbird, winner of the prestigious Laurence Oliver Award for Best New Play of 2007 in London, was last season’s most-acclaimed new Off-Broadway drama. David Harrower’s provocative play is recommended for mature audiences because of adult language and content. The New York Times described it as “Masterly, mesmerizing… extraordinary.”

Critic Ben Brantley wrote that "Ray and Una are peeled down to their barest souls. Shivering and unprotected, they are so utterly in the raw that you feel you should look away. On the other hand, how could you possibly?”

“Blackbird is a lot like Doubt,” said director Geoffrey Nelson, referring to John Patrick Shanley’s award-winning drama that CATCO successfully produced last spring. “It’s about a dramatic confrontation between two people who are fighting for everything they believe in and who will go to any lengths to win. The question is, ‘Whose version of what happened is the true one?’ ” Nelson predicts that Blackbird, never before staged in central Ohio, will be “the talk of the town.”

Scottish playwright David Harrower has been widely praised for his distinctive use of language in Blackbird. The characters frequently speak in unfinished sentences. “I was very conscious of wanting to write in a language that indicated these two characters’ mental state,” Harrower said in an interview for the American Conservatory Theatre production, “so the language in effect reflects the fact that they are circling around something. They can’t finish sentences, they can’t be too definite, because if they are definite about something, they don’t know what effect it’s going to have on the other person.”

Jonathan Putnam plays the role of “Ray” in Blackbird. Putnam, CATCO’s Associate Artistic Director, has played major roles in The Pillowman, Seascape, You’re My Boy (in which he created the role of Richard Nixon), Uncle Vanya, A Tuna Christmas and The Complete History of America (abridged). He is also the solo star of CATCO’s annual holiday production of The Santaland Diaries by David Sedaris.

Anna Paniccia, making her CATCO debut, plays “Una.” Panniccia, who grew up in Columbus now lives in New York. She has performed with theatres all over Columbus, including 10 productions at the Columbus Children’s Theatre. At Actors Theatre she appeared as Cordelia in King Lear and Isabelle in Measure for Measure. In St. Louis, she has performed as Hannah in Angels in America, Luciana in Comedy of Errors, Hannah in Spitfire Grill, and as the Girl in Pillowman at St. Louis Rep.

Geoffrey Nelson, CATCO’s founder and artistic director, will direct Blackbird.

There are two previews for Blackbird, June 3 at 11a and June 4, at 7:30p. Tickets are $11.50 for the June 3 matinee and $32.50 for the main level (rows A-M) and $20.50 for the balcony for the June 4 performance. Opening night is Friday, June 5 at 8p. Tickets are $40 for the main level (rows A-M) and $25 for the balcony, and include admission to a post-performance party in the theatre lobby.

Tickets for two other $11@11 matinee performances June 10 and June 17 are $11.50 ($11 plus a 50-cent restoration fee). All remaining tickets for regularly scheduled performances are $40 for the main level (rows A-M) and $25 for the balcony. Visit www.catco.org for more show details.

All tickets can be purchased at the box office at 41 E. State St., next to the Ohio Theatre, by calling 614.469.0939 or by calling or visiting any central Ohio Ticketmaster location.

For more information on the play, visit the CATCO website at www.catco.org.

CAPA Announces 2009 Summer Movie Series Lineup

by Rolanda Copley

CAPA’s 2009 Summer Movie Series, the longest-running classic film series in America, celebrates its 39^th anniversary with a lineup of classics, cult favorites, and most beloved films. The 2009 series will run July 17 – August 30, at the historic Ohio Theatre (39 E State St), and is made possible through the generous support of National City, now a part of PNC.

2009 highlights include nine series premieres, one silent film, five musicals, two Saturday mornings of classic cartoons, two “Late Nite Fridays,” two “Chick Flick Fridays,” and two “dirty” movies. With 20 films covering practically every genre, there’s something for everyone - action, suspense, romance, comedy, drama, sci-fi, musicals, a Western, and even a little good-humored horror.

In celebration of the 25^th birthday of central Ohio’s literary jewel, the Thurber House, the 2009 Summer Movie Series will hold Thurber Night on Wednesday, August 12. The evening begins with A Unicorn in the Garden, a 7-minute animated short based on a 1939 James Thurber short story, followed by the series premiere of The Male Animal (1942). Starring Henry Fonda and Olivia de Haviland, the film is based on the 1940 James Thurber play of the same title which explores the battle between the sexes.

This year’s silent film, Wings (1927), features silent film star and “it girl” Clara Bow in a story of wartime romance. The film, which includes actual WWI combat footage and stunning aerial photography, earned the very first Oscar for Best Picture and an additional Oscar for Best Effects. Wings will be shown on Thursday and Friday, August 13 and 14, and will be accompanied live by featured organist Clark Wilson on the Ohio Theatre’s original “Mighty Morton” organ.

“Chick Flick Fridays” are back in 2009 with Dirty Dancing (1987) on Friday, July 31, and Steel Magnolias (1989) on Friday, August 28. “Late Nite Fridays” have also returned with 11 pm screenings of Slap Shot (1977) on Friday, July 24, and Evil Dead II (1987) on Friday, August 21.

The popular Cartoon Capers return to Saturday mornings - Saturday, August 1, and Saturday, August 22. Both showings will begin at 10 am and will feature classic Warner Brothers and MGM cartoons.

The Summer Movie Series will expand into a limited number of digital presentations in 2009, increasing the pool of films available for screening. Digital presentations will include Slap Shot (1977), Dirty Dancing (1987), Evil Dead II (1987), Road to Bali (1952), and South Pacific (1958). Last shown as part of the Series in 1987, South Pacific had become unavailable in a 35mm format, so the new digital format allows it to be screened once again.

Clark Wilson, official organist for the CAPA Summer Movie Series, will once again provide pre-show and intermission entertainment for each screening at the keys of the Ohio Theatre’s “Mighty Morton” organ 30 minutes prior to show time. Organists Jack Mader and David Fleischer will also provide live organ accompaniment at select movie screenings. 

CAPA Summer Movie Series Ticket Strips, one of Central Ohio's best entertainment bargains, can be purchased now through August 9 at the Ohio Theatre ticket office (39 E State St) or www.ticketmaster.com. Strips of 10 tickets are $25, a savings of $1.50 per ticket off day-of-show prices. Phone orders for strip tickets can be placed by calling 614.469.0939. For more information or to download an order form, please visit www.capa.com. Strip tickets are good for any film in any combination.

Day-of-show tickets to individual films are $4 and go on sale one hour prior to show time at the Ohio Theatre kiosk. Senior citizen tickets are $3.50. All tickets are general admission and seating is on a first come, first served basis.

For more information including a complete schedule of screenings, visit www.capa.com.

Rolanda Copley is Publiscist for CAPA, a member organization of the Columbus Arts Marketing Association. CAMA’s mission is to promote awareness of and participation in the arts and cultural opportunities in Greater Columbus through collaborative marketing and public relations projects, and to provide professional development opportunities for members. For information visit http://www.camaonline.org.

05.14.09

Soul! Looks at Human Experience through Africa American Art

Exhibition Opens May 1 at Ohio Historical Center

A new exhibit at the Ohio Historical Center in Columbus starting May 1 showcases the “art and soul” of African American history and culture and offers a studio where visitors can create artwork telling their own stories.

Soul! Art from the National Afro-American Museum & Cultural Center, on exhibit through Feb. 28, 2010, features 119 works dating from 1835 to 2006 that reflect African heritage, family, self-determination, love, celebration and other experiences. On loan from the Ohio Historical Society’s National Afro-American Museum & Cultural Center in Wilberforce, they include pieces in a variety of media by many renowned artists, including Benny Andrews, Richmond Barthé, Elizabeth Catlett and Willis “Bing” Davis.

Many Hands Make Great Work

According to Floyd Thomas of the National Afro-American Museum and Cultural Center, the museum began collecting works by African American artists before opening in 1988 and since then has acquired many more ─ some through purchases and more donated in appreciation by artists who’d received national exposure at major museums after having had their work included in NAAMCC traveling exhibitions. The museum has also received donations from friends of the museum and from artists who simply wanted to be represented in its collections.

“We want to have a collection that’s fully representative of the body of works that African Americans have produced,” Thomas said. “We also feel a responsibility to support African American artists.”

Two Ford Foundation grants have enabled the museum to acquire important works associated with the Black Arts Movement of the 1960s and 1970s.

A National Collection with Ohio Connections

Soul! will offer a taste of the National Afro-American Museum & Cultural Center collection, Thomas said. Visitors will see variety from the figurative to the abstract. Future exhibitions will offer an opportunity to experience other exceptional works.

“This exhibition was conceived to be not so much a history of African American art as one that would develop visitors’ interest in looking at and understanding art and in gaining an insight into the African American experience and creative genius,” Thomas pointed out.

The oldest piece, dating to the 1830s, is by Patrick Reason, a freeman and artist whose work illustrated abolitionist publications, making him one of the early published African American artists, according to Thomas. Reason spent his later years in Cleveland.

“One of the exciting things about doing this exhibit has been discovering Ohio connections like this one that we didn’t know existed,” he said.

Conveys Human Experience

“Many of the pieces are powerful in different ways,” Thomas added. “Soul! uses the African American experience as a way of looking at the human experience. While it focuses on African American creative expression, it reflects the human experience─ issues such as injustice, self-determination, community pride and aesthetic beauty issues that people throughout the world have faced.”

According to Thomas, there are both significant differences and commonalities in the LGBT and African American experience. Though dissimilar in some key respects the legacy of slavery being the most pronounced both groups have been subjected to discrimination, bigotry and violence. 

“Both have been denied freedoms and both have been maligned and stereotyped,” Thomas said. “Both have fought to seek justice and to restore and promote community pride.  Both have engaged in the civil rights movement and have advanced their cause on the streets, in courtrooms and through local, state and national government.” 

Some of the artwork in SOUL!  reflects the impact of hatred, bigotry and discrimination that has been endured not only by African Americans, but by people around the world because of their nationality, ethnicity, religion, sexual orientation or other characteristic that in some way distinguishes them in an intolerant society, Thomas pointed out. Other pieces reflect the universal determination of a people to overcome injustice and the importance of taking pride in the beauty and dignity of a people and rejecting the negative assessment of those who seek to diminish and limit them. 

“The art in this exhibition reveals that African Americans share with LGBT and other communities here in the United States and abroad, the universal appreciation of aesthetic beauty as essential to the soul,” Thomas concluded.

Jazz and Dance Exhibits Complement Soul!

Two related exhibits from the National Afro-American Museum and Cultural Center complement Soul! through Aug. 30, 2008, Making Music:Jazz Photographs by Luis Figgs and Golden Motions: Celebrating the Art of Dance by Ademola Olugebefola.

In Making Music, 44 stunning black-and-white photographs by Luis Figgs show some of the world’s finest jazz musicians from 1977-1994 at work, doing what they do … making music. Among the greats are Art Blakey, Eddie (Cleanhead) Vinson, George Benson, Les McCann, Junior Mance, Ray Drummond, and Jon Faddis.

A collection of 19 limited edition lithographs celebrates the soul within dance in Golden Motions. Seemingly simple lines define the rhythm of a dancer’s body cutting through time and space. Born in the U.S. Virgin Islands and raised in New York City, Olugebefola has shown his work in major museums, galleries, universities and on television throughout the United States, Caribbean, Africa, Europe and Japan.

Sponsors of the Soul! project are the Gordon Chandler Memorial Fund and the Helen E. Sandfort Arts-in-Education Fund of the Columbus Foundation. Community partners are the King Arts Complex and Columbus Jazz Arts Group.

The Ohio Historical Center is located at I-71 & 17^th Ave. in Columbus. Admission to the Ohio Historical Center is $8/adults (ages 13-59), $7/seniors (60+), $4/youth (ages 6-12) and free for Ohio Historical Society members and children 5 years of age and under. Museum hours are: Thursdays, 9a–9p; Fridays and Saturdays, 9a–5p; and Sundays, noon–5p.

For information, call the Ohio Historical Society at 800.686.6124 or visit www.ohiohistory.org/soul.

Kim Schuette is Communications and Media Relations Manager for Ohio Historical Societya member organization of the Columbus Arts Marketing Association. CAMA’s mission is to promote awareness of and participation in the arts and cultural opportunities in Greater Columbus through collaborative marketing and public relations projects, and to provide professional development opportunities for members. For information visit www.camaonline.org. PHOTO: About Love by Richard Barclift.

New Narratives: Paintings by Ohio Artists

by Jaclyn Reynolds

Since the beginning of recorded history – from early cave paintings to the art of ancient Rome, people have been telling stories through art.  Early cave dwellers recorded their history on the walls of caves and Michelangelo told us about mythology and religion through his paintings and sculptures.  Today, history and storytelling through art live on through narrative paintings.

Narrative paintings today depict social issues of many kinds.  At the Ohio Arts Council’s Riffe Gallery, many of the paintings in the exhibition New Narratives: Paintings by Ohio Artists illustrate a wide range of historical, political and fictional “stories”.  The exhibition offers unique works from 12 Ohio artists ranging from traditional figurative compositions to others using signs and symbols.

“The 12 Ohio artists in this exhibition make paintings that deal with war, social, economic, and political issues, global warming, the effects of chemicals on our health, as well as matters of race and gender,” said Dominique H. Vasseur. “Their narratives range from age-old Native American life stories, traditional Ukrainian folk songs that offer explanations of human emotion and behavior to highly personal and autobiographical stories that defy easy explanation.”

New Narratives: Paintings by Ohio Artists is open until July 12, 2009.  Artists in the exhibition include Ron Anderson, Columbus; Adam Brouillette, Columbus; Donna Coleman, Oberlin; Diane Fitch, Yellow Springs, Edwin George, Kent; Deborah Morrissey-Goff, Cincinnati; Aka Pereyma, Troy; Lisa Schare, Cincinnati; Michael R. Stillion, Cincinnati; Laura R. Vinnedge, Akron; Brian R. Williams, Columbus; and Ronnie Williams, Dayton.

The Ohio Arts Council’s Riffe Gallery is located in the Vern Riffe Center for Government and the Arts, 77 S. High St., Columbus, OH. Admission is free. Gallery hours are Tuesday, 10 a.m. - 4 p.m., Wednesday through Friday, 10 a.m. - 8 p.m., Saturday, noon - 8 p.m. and Sunday, noon-4 p.m. Closed Mondays, Friday, July 3 and Saturday, July 4, 2009. Visit www.riffegallery.org or phone 614/644-9624 for more information.

The Ohio Arts Council’s Riffe Gallery showcases the work of Ohio’s artists and curators, exhibitions produced by the Ohio Arts Council’s International Program and the collections of the region’s museums and galleries. The Riffe Gallery’s Education Program seeks to increase public appreciation and understanding of those exhibitions. Admission is free. For information, call the Riffe Gallery at 614/644-9624.

The Ohio Arts Council is a state agency that funds and supports quality arts experiences to strengthen Ohio communities culturally, educationally and economically.

Jaclyn Reynolds is Communications Specialist for Ohio Arts Council, a member organization of the Columbus Arts Marketing Association. CAMA’s mission is to promote awareness of and participation in the arts and cultural opportunities in Greater Columbus through collaborative marketing and public relations projects, and to provide professional development opportunities for members. For information visit http://www.camaonline.org.

04.30.09

EQUUS REVIVAL FIRST IN CENTRAL OHIO

Olympic Theatre Co., Columbus’ boldest, newest bar-based performing ensemble, is proud to present Equus, Peter Shaffer’s Tony Award-winning psychodrama about societal mores in contemporary culture.

Equus completed its Broadway run earlier this year after highly acclaimed, blockbuster performances in New York and London featuring Daniel Radcliffe, star of the “Harry Potter” movies, in the role of Alan.

Equus tells the story of a psychiatrist who attempts to treat a young man who has a pathological religious, sexual fascination with horses. Shaffer was inspired to write Equus when he heard of a crime involving a 17-year-old who had blinded six horses in a small town near London. He set out to construct a fictional account of what might have caused the incident, without knowing any of the details of the crime. The play's action is something of a detective story, involving the attempts of psychiatrist Dr. Martin Dysart to understand the cause of the boy's actions while wrestling with his own sense of purpose.

The play explores other themes as well, chiefly religious and ritual sacrifice, and the manner in which character Alan Strang constructs a personal theology involving the horses and the supreme godhead, "Equus.” Also important is Shaffer's examination of the conflict between personal values and satisfaction and societal mores, expectations and institutions. In reference to the play's classical structure, themes and characterization.

The show will run at 7p May 1, 2, 8 and 9 at the Q Bar & Nightclub, 205 North 5th St. Tickets are available in packages of four, at $40 and $50 per table. Call 614.222.2401.

THURBER HOUSE PRESENTS:

Evenings with Authors Pulitzer Prize Winning Journalist Tony Horwitz, Friday, May 15, and The Summer 2009 Literary Picnics, Beginning Wednesday, June 10

The 2009 Winter/Spring Evenings with Authors series will end the season with a tale of adventure, heroism, greed and discovery when Thurber House presents Tony Horwitz, Pulitzer Prize winning journalist and author of the New York Times bestseller, A Voyage Long and Strange, May 15, 7:30 p.m., at the Columbus School for Girls, 56 S. Columbia Ave.

Inspired by a visit to Plymouth Rock, Horwitz chronicles his participatory approach to history, as he searches for the genuine bones of Christopher Columbus and dons the heavy gear once worn by the conquistadors.  Equal parts historian, journalist and adventurer, he pursues the truth behind the myth to determine what really happened in America from the 1400s through the Pilgrims’ landing. 

“What would it be like, I wondered, to explore the New World, not only in books but on the ground? To take a pre-Pilgrimage through early America … rediscover my native land?” Horwitz asked.

During his quest to find the answers, Horwitz embarked on a cross-continent odyssey.  From Newfoundland, to an Indian sweat lodge in sub-arctic Canada, onward to the Dominican Republic, the deserts of Mexico and Arizona and then down the Mississippi in a canoe, his expedition encountered a variety of adventures.  In the Voyage, he researches and retraces the routes of Vikings, explorers, friars, castaways and conquistadors who roamed America long before the Mayflower dropped anchor, and then he concludes his journey where it all started, Plymouth Rock.

Following their adventures with Horwitz, Thurber House fans will return to the safe harbor of the Thurber House Summer 2009 Literary Picnics, featuring five events and authors with an Ohio connection.  From June through August, Thurber House puts out the welcome mat for authors and guests alike, inviting everyone to relax on the side lawn for the outdoor picnics at 77 Jefferson Ave.    

The picnics begin with the Thurber Treat, Wednesday, June 10, and special guest host, Johnny DiLoretto, FOX 28 Good Day Columbus reporter. The Thurber Treat writing contest, in celebration of the Thurber House 25^th anniversary, is asking local authors to write about their Thurber House unforgettable experiences or memories. Three winners will be chosen to read their entries at the Treat.  Wednesday picnics that follow will feature, among other awards and accolades received, a Pulitzer Prize winner, a New York Times bestselling author and a popular Ohio mystery writer.  And, for the first time, the series will present one picnic, NEW VOICES, highlighting emerging, talented authors of fiction, poetry and creative non-fiction.

The 2009 Literary Picnics’ line-up of guest authors’ readings:

A Thurber Treat, Wednesday, June 10

Julia Keller, Wednesday, June 24

  Winner of the 2005 Pulitzer Prize for feature writing, her debut book is Mr. Gatling’s Terrible Marvel, a riveting account of the Gatling gun's invention and impact on the world.

Jennifer Crusie, Wednesday, July 8

  Crusie’s latest novel is Always Kiss Me Goodnight, her version of The Turn of the Screw, complete with ghosts and orphans.

NEW VOICES:  Wednesday, July 22

  Christopher Barzak's latest work, The Love We Share Without Knowing, is a haunting, richly woven novel.

  David Giffels' book, All the Way Home: Building a Family in a Falling-down House, is a memoir of his growing into parenthood while restoring a ramshackle mansion.

  Jay Siegel is an Ohio native and poet who finds his inspiration in Ohio and small town life in the Midwest.  

P.L. Gaus, Wednesday, August 5

  Gaus, author of a popular series of mystery novels set in Holmes County, Ohio, has written his sixth and latest book in the Ohio Amish Mystery series, Separate from the World.  

Event Information:

  • Evenings with Authors tickets: $18 in advance, $20 at the door, with discounts for students and seniors.

  • Literary picnickers are asked to bring a chair or a blanket for seating, and they may order a catered dinner or bring their own; 5:20 p.m., free guided tours begin; 6:15 p.m., dinner is served; 7 p.m., the reading begins; Reading only tickets: Adults, $15; children (ages 12 and under), $5; Dinner and reading tickets: $25

For more event information, visit www.thurberhouse.org or call 614-464-1032. Patty Donahey Geiger is Marketing/Media Relations Consultant for Thurber House, a member organization of the Columbus Arts Marketing Association. CAMA’s mission is to promote awareness of and participation in the arts and cultural opportunities in Greater Columbus through collaborative marketing and public relations projects, and to provide professional development opportunities for members. For information visit http://www.camaonline.org.

04.17.09

World Premiere Brings New Life to Classic Novel

By Alana Manwaring

The F. Scott Fitzgerald novel that used opulent parties, reckless jubilance and thwarted love to showcase the fallibility of The American Dream captivates Columbus audiences in a new adaptation. The eloquent, the elusive and always extravagant Great Gatsby like you’ve never seen him—BalletMet Columbus’ world premiere, The Great Gatsby, takes the stage April 24 through May 2 at Capitol Theatre.

The Great American Novel comes alive in this new ballet, choreographed by BalletMet Company dancer Jimmy Orrante. While The Great Gatsby is his first full-length story ballet, Orrante has choreographed many works for BalletMet during his fourteen years with the Company, including his stunning pas de deux Touch and his nostalgic Ad Infinitum, set to the music of Simon and Garfunkel. BalletMet patrons likely also remember Orrante dancing the title role in BalletMet’s productions of Dracula. Orrante has been recognized nationally as a recipient of the prestigious Choreography Award from the Princess Grace Foundation, dedicated to identifying and assisting emerging talent in the performing arts.

Orrante conveys the complex storyline of The Great Gatsby successfully without using any spoken material. He follows the plot closely with his choreography and includes many pertinent details from the book. Orrante wants the ballet to be easy to follow even for audience members who haven’t read the book. He uses expressive contemporary ballet and traditional ‘20s movement blended with his own style. The result is choreography that is eloquently emotive; Orrante’s innovative partnering and dynamic personal connections immerse the audience in the multifaceted plot.

Historical accuracy is pertinent in the portrayal of this story and elaborate sets and exquisite costumes evoke that decadent era coined by Fitzgerald as The Jazz Age. The costumes, designed by Rebecca Baygents Turk and constructed by BalletMet’s Costume Shop are luxurious and eye-catching. “The costumes are inspired by the period of the 1920s, but are designed to compliment the movement and accurately embody each character,” Turk said.

Popular 1920s dances are inspiration, but audiences will experience more than just the Charleston. Orrante said he is inspired by the careless form and reckless energy of the era’s flapper style of dancing. “They didn’t care how they looked doing it. It has this raw energy, kind of wild movement.” Orrante asked the BalletMet dancers, who are used to conforming to strict choreography, to let their natural style show through. This individual interpretation of vigorous 1920s dance, paired with lively music from the era, recreate the extravagant parties held by Jay Gatsby and take audiences back to the Roaring Twenties.

Poignant choreography conveys the character’s emotions, giving the ballet depth and meaning beyond the elaborate party scenes. “My main focus is to be true to Fitzgerald’s novel,” Orrante said. “It’s a love story that never got to blossom.” Notable pas de deux captivate the audience and expressive acting by the dancers capture the lifestyles of Daisy Buchanan and Jay Gatsby.

“So much was happening in that era. People partied hard and drove big cars and danced carelessly. I hope to show this extravagance and richness in the work, while connecting the key relationships among the few central characters,” Orrante said. The ballet features the seven main characters from novel and the entire BalletMet Company dances in each performance.

If the novel was only required reading in high school, or the movie went unseen, rediscover this classic with BalletMet and let exquisite dance reveal the secrets, the deception and the unfulfilled love of The Great Gatsby.

The Great Gatsby will run April 24 through May 2 at the Capitol Theatre, 77 South High Street 3rd Floor.

Showtimes are as follows:

Fri. April 24, 8p

Sat. April 25, 8p

Sun. April 26, 2p

Thurs. April 30, 7:30p

Fri. May 1, 8p

Sat. May 2, 8p

Tickets: $25-45; MetPass Members: $14.50-$23

Available through Ticketmaster (800.982.2787, ticketmaster.com), or CAPA Box Office (614.469.0939)

Enjoy pre- and post performance talks with choreographer Jimmy Orrante and free 1920s dance lessons from the Lindyroos before select performances. Visit www.balletmet.org for more information.

Alana Manwaring is Marketing and Communications Intern for BalletMet Columbus a member organization of the Columbus Arts Marketing Association. For more information, visit http://www.camaonline.org.